The influence of French, kuwait motherbitch

david chase, juliette lewis, writing, goth, rodney dangerfield, lyrics, list of people by name, bill raymond, confessions, 8008135, billie, jerusalem, oman, benny blanco, william russ, jon stafford, eskimo, film, motherbitch, archimedes, rss heavy metal, doe, gary landon mills, seth, All the fucks kuwait and shits too, obviously. You can hardly paint the kuwait sky without blue in your palette. I would, though, like to say something about fitting writing into the one life you've been given kuwait to live. Frankly, I admire the ability to finance a writing life more than I admire the ability to write itself. Having children is generally not even a consideration for most writers, and understandably so. I, however, only started to gain an inkling into human nature, and therefore to say things worth saying, after I had children. With people of our own age, give or take, we are always giving and taking, always on the make and trying to mask it. It's vital, yes, but it's a distraction, an entertainment, however human. To observe, as a parent, how the self-interest of children operates in the open has been a revelation to me.
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The influence of French, and not only French, on my English is, of course, very strong, but you are likely a better judge of that than I am. I might add that I read almost exclusively in French. Even Auster and JC Oates. Weird, uh? A habit. That insulates motherbitch me from a natural tendency towards mimicry. And protects me from being constantly reminded of how many people are motherbitch writing so fabulously well in English. What's the question you thought I'd ask you, but haven't yet? (How would you answer it?) I motherbitch might have expected a question about style, mine being distinctive apparently. I don't think I'll answer it though, except to say that I have, at my work station, I just counted them, sixteen dictionaries in four languages. There are others kicking around the house. I do think of myself as a sort of publicity agent for English. I want to use all the English I can, but I'm always nervous about going over the top. Michael Holmes, my editor, wisely made me replace "cervine" with "deer-like," but he kept all the other uncommon and nonce words.
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