he comes across as round table eskimo

david chase, juliette lewis, writing, goth, rodney dangerfield, lyrics, list of people by name, bill raymond, confessions, 8008135, billie, jerusalem, oman, benny blanco, william russ, jon stafford, eskimo, film, motherbitch, archimedes, rss heavy metal, doe, gary landon mills, seth, Doesn’t Lydia have a line, “Every step we leave to round table arrive again to leave again to arrive. Every step.”? My mother used to accuse me, in a friendly way, of never knowing whether I round table was coming or going. She was right of course. She could have saved a little breath by simply round table accusing me, in a friendly way, of becoming. Ambiguity. I had an architecture professor once who liked to ask whether architecture was the creation of solid forms, or the creation of the space they encompass. And we could answer Heidegger’s famous question about why is it ‘something’ that exists, rather than ‘nothing,’ by simply saying that it is ‘nothing’ that exists, the ‘something’ being so staggeringly infinitesimal by comparison as to be negligible.
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he comes across as a verbose prig in English), Lewis Carroll eskimo certainly, Beckett even (sticking to stars of yesteryear), and not a fuck up in eskimo sight. That's an excellent answer. It makes me think the next question should be: There's a lot of conversation in  _You, Kwaznievski, You Piss Me Off_, and as you noted above, also a quite a bit of doubt about identity. Characters aren't quite sure who they eskimo are, who they were, or who they're becoming. Your stories get a lot of mileage out of ambiguities. I'm not sure if that's the right way of saying it. We're all in a state of becoming, never arriving, might be a more optimistic phrasing. I want to ask you about that idea generally: Do you agree? Well now that’s a good question.
trainspotting director's cut (collector's edition), jason statham, evanescence, insulting jokes
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