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david chase, juliette lewis, writing, goth, rodney dangerfield, lyrics, list of people by name, bill raymond, confessions, 8008135, billie, jerusalem, oman, benny blanco, william russ, jon stafford, eskimo, film, motherbitch, archimedes, rss heavy metal, doe, gary landon mills, seth, How does being a Quebec-based writer affect your work? As a writer, I am Quebec-based, but as a person I am simply a Quebecer. iranian It iranian is true that the Saint Lawrence is treacherous between Montreal and Quebec City. I've been at the helm going down it, actually, so I know. But below Quebec, it's a strong, majestic river. Montmagny, La Pocatière, Charlevoix. Lovely names. My Quebec is as much outside as inside the big cities. Socially, it's a bit iranian tricky, and the social aspect of writing is important. When Very Good Butter came out, I knew exactly nobody in the English-speaking writing world. Nobody. Now, though, I have some really good friends, in Ottawa and in Toronto. Without them, I might very well have let Kwaznievski choke in my PC's memory. Linguistically, the importance of being in Quebec is immeasurable. I'm not really bilingual. I speak a single bi-systemic language. More than once, I've found myself blabbing away to someone and wondering why they look as though they don't understand what I'm saying, until it has dawned on me that I haven't been speaking the language I thought I was.
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I mean by this that ambiguity is everything and everywhere. film Human relationships are wiltingly, joyously, ambiguous. Always. Find me a writer who doesn't get a lot of mileage out of ambiguity. Especially George Orwell film who, I believe, got it wrong: doublethink not only film does not entail a restriction of individual freedom, it is absolutely necessary for the individual to flourish, to doubt itself, to allow itself to be convinced. Conversation. I don’t know if there’s that much conversation per se in my stuff. On the other hand, it is aural, vocal, from first word to last, it has all been read out loud. Many times. In his fabulosisimo story “The Bear,” Faulkner has the principal character say that story-telling is “the best of all possible talking.” Yes, yes, a hundred times, yes. Writing, while always literary, is, for me, a kind of talking.
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