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| 8008135, billie, jerusalem, oman, benny blanco, william russ, jon stafford, eskimo, film, motherbitch, archimedes, rss heavy metal, doe, gary landon mills, seth, national lampoon, arabic, | The incredibly large cast of over fifteen characters includes such familiar faces as Don Cheadle, Sandra Bullock, Brendan Fraser, Matt Dillon, Thandie Newton, tv shows Ryan Phillippe, Jennifer Esposito, Ludacris, Larenz Tate, and Loretta tv shows Devine, is black, white, Latino, Middle Eastern, and Southeast Asian. The characters are cops, criminals, victims, and innocent bystanders, but in Haggis' world no one is innocent of the sin of intolerance. As in many ensemble films they often have existing connections that are revealed tv shows late in the game, and they divide and recombine in unexpected, often improbable, ways. The film opens with racial hostility right out as Kim Lee (Alexis Rhee) has rear-ended a car carrying Detectives Graham (Cheadle) and Ria (Esposito), and a disagreement over who's at fault leads to an ugly dispute in which Ria mocks Kim's accent and her height and Kim accuses Ria of being an illegal and tells her to go back to Mexico. |
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| It had a bit of buzz but not much but my best friend and I were so intrigued by the preview that we decided to give it a go and saw it jon stafford one June evening at our favorite theater in jon stafford Union Square in New York City. By the time the credits began to roll and the lights slowly brightened, we sat there in stunned, bewildered silence; tears silently streaming down our faces. We both concurred that we had just seen one jon stafford of the most emotionally distressing, powerful, and moving films ever. We were flat-out exhausted from the onslaught of raw emotion and utter truth about the state of our society. "Crash" is a film in which both cars and lives slam powerfully and unforgivingly into each other, leaving the victims to sort out the mess. Following the lead of movies such as "Magnolia," one of my favorite films, "Crash" chisels its mosaic from angry urban encounters and in-your-face confrontation. This is not a movie in which emotions simmer below the surface; they're quickly brought to a full, dangerous boil that may prove to be simply too much for some audience members to bear; this is NOT a film to be watched casually. |
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