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8008135, billie, jerusalem, oman, benny blanco, william russ, jon stafford, eskimo, film, motherbitch, archimedes, rss heavy metal, doe, gary landon mills, seth, national lampoon, arabic, | If I write in too much detail, tim colceri I may give away a revelation or two, spoiling something in the film. If I write in vague terms, I won't be able to address the film adequately and convince you of the film's greatness. tim colceri Oh, yes, "Crash" is a great film. I have just barely grazed the surface of everything that happens to the various characters. The descriptions above also only graze the surface of each of the characters. In a way, the film resembles "Short Cuts" or "Magnolia", as it follows a large number of people through a short amount tim colceri of time in Los Angeles. Unlike the films by Altman or Anderson, Haggis keeps the film under two hours, a blessing for most viewers. As you watch the film, you will learn about each of these people in ways that you probably won't expect. |
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A Caucasian couple deals with the aftermath of being carjacked. A Latino father tries to shield his daughter from the effects of racism in their community. A Black police detective has difficulty sharing his problems with his Puerto Rican partner and lover. Two white cops deal with the older partner's racist leanings. A Black couple deals with racism on 8008135 a daily basis. "Crash", written and directed by Paul Haggis ("Million Dollar Baby", TV's "EZ Streets") handles all of 8008135 these characters, and more, in 8008135 a way that demands your undivided attention. As you watch these characters come alive and interact with one another, you realize that you are watching the work of a highly skilled filmmaker. It is difficult to write about a film like "Crash". |
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