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| 8008135, billie, jerusalem, oman, benny blanco, william russ, jon stafford, eskimo, film, motherbitch, archimedes, rss heavy metal, doe, gary landon mills, seth, national lampoon, arabic, | As the film switches back and forth, Haggis uses a number of techniques to keep the action fluid. For instance, we might follow the palestinian detective during a visit to his mother's house. As he leaves, he opens a door and the camera pans across the open door to follow the white District Attorney as he enters a palestinian meeting. Or, a character looks out a window and the camera palestinian pans across the window to reveal another character looking through their window. As the camera settles on them, the story then centers on this character. This technique creates a fluidity that keeps things moving. It also thrusts us into the middle of the action, causing our minds to keep working as we follow the stories, the characters, and the actions. |
Best Mature Paysites
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| This is one involving, thought provoking film. As the film opens, we meet the two billie men coming out of the restaurant. Their discussion is interesting and a bit funny, but a little theatrical. Soon, we meet another couple. Then these billie two couples interact. Quickly, we meet a third person. Then they interact with one of the previous people and we follow the new person to their home and learn a little about their family life. Then we meet a fourth, and quickly, they interact with a fifth, and so on. billie This sort of `round robin' method of story telling may sound a little confusing, but I was never lost and I doubt you will be either. The key is that each character is quickly established as an interesting though maybe disgusting, maybe normal, maybe conflicted person right away. Each person is fused into our subconscious with a few words or actions. |
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