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| guy torry, album (music), woody harrelson, robert b. weide, pauline lynch, confess, hip hop, fazed, wake, songs, pachanga, james gandolfini, suzanne shepherd, net comedy, matt dillon, carlito, donna holgate, myboyfriend is a twat, audio, eminemlyrics, | L: (Laughs hysterically) K: No one will be able catherine scorsese to tell it apart. They'll say "I think catherine scorsese that's some early 21st century digital art! It's beautiful! I'm going to hang it on my wall." And I don't offer this up as a defense of the horrible quality of work we present in ArtLexis, because of course I think that the work in ArtLexis is very beautiful and we deliberately eschew work that we find ugly. But I offer this up more in the sense of admitting catherine scorsese to myself publicly, in a curatorial capacity, that ultimately there are no grounds, no firm grounds, on which I can base any of those decisions - they are being made in the full realization that they are completely temporary, contingent and subjective. |
Best Mature Paysites
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| You wake become hyper-sensitive and hyper-critical of subtle elements in the style, and after enough time and exposure almost every example of it starts to look ugly to your rarified tastes. But after it stops being ubiquitous and enough time passes, people gets removed enough from it to stop being sick of it, they get a little wake perspective wake on it, and start seeing the samenesses in it, not the little differences. And after enough time, it just all looks beautiful. Once the Window of Ugliness closes, you'd need to be a specialist, someone who deliberately surrounds themselves with a style in order to be able to still see the ugliness. Which is why you can have historians wandering around saying what types of 18th century Scandinavian architecture they find beautiful and what types of 18th century Scandinavian architecture they find ugly. But to everybody else all 18th century Scandinavian architecture is beautiful. And I think we should remember that when we talk about art. And all shitty artists - especially shitty digital artists - should take great solace in this because 200 years from now even the shittiest digital art is going to look as good as - what's his fucking name - Matthew Barney. |
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