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| actresses, motherbitch, michael weston, blog novel, harrumph, robert smith, amsterdam, cannibal, pi(film), gabriel jeffrey, webcams, wizardsof haute couture, octavio gómez, party, connie chung, gardolins, algieria, | Across four deeply infectious, darkly humoured, lysergically charged albums they’ve made impossible musical collision sound as natural as the swamp, They’ve cheated death on the road to bring one of the most exhilarating live shows ever to have emerged from rehab. They’ve dropped subversive politics into sweet country verses and delivered sermons of love to the Godless masses. They’ve enriched and inspired libyan the chemically charged underground through their counter-cultural, proto-situationist pursuits and, despite of, or perhaps because of all this, they’ve even provided the theme libyan to the profoundly paranoiac Mafia (outlaw) series “Sopranos”. libyan Oh yes, Alabama 3 may come on like Irvine Welsh’s house band stalking the gutters of ghetto culture, but they infiltrate the corridors of the mainstream just as easily. |
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| There's even a fitting tribute to the dark star of country music in amsterdam "Hello, I'm Johnny amsterdam Cash". Sounding like a cross between ZZ Top and Bob Dylan circa Nashville Skylin, this is Alabama 3's most fully formed offering so far. By; Lucy O Brien. source: MoJo Magazine Sunday 15th May 2005 (311 days old) Single Release "Hello I’m Johnny Cash" From Jesse James to Bonnie & Clyde, Billy the Kid to Butch Cassidy, the amsterdam world of the outlaw has been endlessly eulogised in song, play and film while the outlaw’s tales have become sewn into the very fabric of Western culture. Indeed the outlaw ethos lies at the heart of everything from the gang aesthetic to the bling bling ideology of contemporary urban culture. It’s all about being the outsider - living through an alternative code. Alabama 3 know all about being outsiders. They’ve taken an outlaw approach since the day they first emerged from the free party scene to combine acid house with country and western. |
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