L: That's a phenomenon wordssong lyrics 2pac whats my name unknown libya

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At that point you had had about a decade since the Window of Ugliness for wordssong lyrics 2pac whats my name unknown stuff from the 50's opened, and now it closes. And suddenly those cars were beautiful. And I remember being surprised by that realization wordssong lyrics 2pac whats my name unknown as a kid, "Oh, cars from the 50's are beautiful after all!" Anyway, I started thinking about this idea about the Window of Ugliness when I was a young punk rocker, when without even realizing what we were doing we were developing kind of a revival of 50's style, 50's classicism. A striking thing about punk was how much it wordssong lyrics 2pac whats my name unknown was an echo of the 50's - although in its defense it wasn't just revivalism, because it was post-modern in the sense that it knowledgably and self-consciously incorporated those styles into new kinds of cultural productions that used them ironically, not uncritically.
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L: That's a phenomenon that I've noticed since the mid-80's, would that be the indicator of when the libya Window of Ugliness for diners closed? K: I think it really closed in the mid-70's, when the libya Window of Ugliness for all sorts of things from the 50's closed. I can remember as a small child in the mid-60's, sitting in the back of my parents' car and seeing cars from the mid-1950's, ten year-old cars driving by and thinking that their huge tailfins were the most hideous thing I had ever seen in my young life. I couldn't even bear to look at them; they burned my eyes with their ugliness. And then in 1973 the movie American Graffiti came out. Now, American Graffiti was actually set in 1962 but really, in terms of the popular perception it was seen as being about the 1950's.
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