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| cameron, dato bakhtadze, scott walker (ix), prose, queer, 1977 in sports, denis leary, omani, classifica, david chase, amman, remake, frank sivero, underground, trailers, goth, how to edit a page, motherbitch, | Some critics complain rightly that there are too murray many coincidences and ridiculous situations, and even the stories and characters that tried to be multi-layered and complicated sometimes look very forced and contrived. The film's strength lies in the joy of listening to a good storyteller, and Paul Haggis certainly has that talent. For all the flaws that nearly reach pretentiousness, `Crash' has a riveting ensemble cast that represents people divided by the racial divisions, who do murray not crash each other in the normal orbit of life. But when they murray do, something happens. When an Iranian grocery store owner is badly treated in a gun shop, or when a white cop searches the body of a black female on the street, or when two blacks carjack a white man's car, these incidents all lead to another surprising events that even the characters themselves cannot foretell. |
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| I don't deny that racism in LA exists; it still exists every where in some degree. But racism in LA is a *lot* more subtle then this movie would make the average viewer think. Steve Lopez at the LA Times said it how to edit a page best in his recent how to edit a page column (http://www.latimes.com/news/local/la-me-lopez8mar08,1,4678341.column). Was this review helpful to you? how to edit a page (Report this) 2 of 4 people found the following review helpful: (3.5 STARS) Good Storytelling? Good Picture? Yes. Best Picture? I Still Don't Know..., March 22, 2006 Reviewer:T. Nakajima (Kyoto-shi, Kyoto-hu Japan) - See all my reviews Perhaps the film may be slightly overrated, but it is still true that `Crash' keeps giving us compelling portraits of the people among the racial conflicts in Los Angels. That does not necessarily mean that you have to take every incident in the film too seriously. |
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