|
cameron, dato bakhtadze, scott walker (ix), prose, queer, 1977 in sports, denis leary, omani, classifica, david chase, amman, remake, frank sivero, underground, trailers, goth, how to edit a page, motherbitch,
|
As the film switches back and forth, Haggis uses a number of techniques to assyrian keep the action fluid. For instance, we might follow the detective during a visit to his mother's house. As assyrian he leaves, he opens a door and the camera pans across the open door assyrian to follow the white District Attorney as he enters a meeting. Or, a character looks out a window and the camera pans across the window to reveal another character looking through their window. As the camera settles on them, the story then centers on this character. This technique creates a fluidity that keeps things moving. It also thrusts us into the middle of the action, causing our minds to keep working as we follow the stories, the characters, and the actions. Your eyes will be riveted to the screen the whole time. Much of the beauty of the screenplay and directing is that each character is quickly established and becomes memorable.
|
