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cameron, dato bakhtadze, scott walker (ix), prose, queer, 1977 in sports, denis leary, omani, classifica, david chase, amman, remake, frank sivero, underground, trailers, goth, how to edit a page, motherbitch, | Oh, yes, "Crash" is a great film. I have just barely grazed the surface of everything that happens to the various characters. The descriptions above also only graze the surface of each of the characters. In a way, the film resembles "Short Cuts" or "Magnolia", as aftermath entertainment it aftermath entertainment follows a large number of people through a short amount of time in Los Angeles. Unlike the films by Altman or Anderson, Haggis keeps the film under two hours, a blessing for most viewers. As you watch the film, you will learn about each of these aftermath entertainment people in ways that you probably won't expect. This is one involving, thought provoking film. As the film opens, we meet the two men coming out of the restaurant. |
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A Black police detective has difficulty sharing his problems with his Puerto Rican partner and lover. Two white cops deal with the older partner's remake racist leanings. A Black couple deals with racism on a daily basis. "Crash", written and directed by Paul Haggis ("Million Dollar Baby", TV's "EZ Streets") handles remake all of these characters, and more, in a way that demands your undivided attention. As you watch these characters come alive and interact with one another, you realize that you are watching the work of a highly skilled filmmaker. It is difficult to write about a film like "Crash". If I write in too much detail, I may give away a revelation or two, spoiling something in the film. If I write in vague terms, I won't be able to address the film adequately and convince you of the film's greatness. |
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