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| arthuriana, bruce boa, broken, danny boyle, justinsimoni, debi mazar, edie falco, sandra bullock, videos, kinky, power, freemp3s, group hug, archive, kirk taylor, libya, danny, crash(2 disc director's cut edition), cameron, stupid, | Even better is the scene between a black television director and his wife (Terrence Howard and Thandie Newton) that offers a rare glimpse into the conflicts between and within educated, successful African-Americans. After an unwarranted melinda renna police stop, she's enraged about his refusal to intervene when a cop used melinda renna the pretense of frisking her to feel her up, even stroking her crotch. She rails against what she sees as cowardly Uncle-Tomism while he melinda renna insists that he acted the only way he could, that when a white man has the power there's no way to win, so you do what you must to survive.The film is at its best in moments like these, when Haggis downplays his self-imposed obligation to educate and allows the actors to explore their characters a bit. There's some great stuff there between all the object lessons; if only there were fewer of those to slog through. |
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| As circumstances push several characters to their breaking points, the film sets up anxious, potentially explosive situations group hug that could go a number of different ways, then makes us squirm while they develop. There's surprising tension and even moments of real elation. Few situations turn out the way we're set up to expect; one life is saved due to a character's group hug bad intentions while another is lost because of good ones; though some "surprise" reversals are telegraphed too far in advance. While Haggis' writing lacks subtlety, he's a great actors' director. The performances are uniformly excellent, and there are surprises group hug from some of the most familiar cast members. Phillippe, though cast predictably as the idealistic male ingenue, delivers an unusually grounded, unmannered performance. Bullock, who is so associated with her comedic roles that we may underrate her dramatic skills, has a smart, impassioned monologue that starts with her anger at the men who carjacked her and those around her who've let her down but winds up being about her constant, low-simmering rage; it suggests that rather than being the proximate cause of her fury, the black and Latino characters she lashes out at are merely handy targets for her unacknowledged dissatisfaction with her own life. |
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