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As the film switches back and forth, Haggis uses a number margo winkler of techniques to keep the action fluid. For instance, we might follow the detective during a visit to his mother's house. As he leaves, he opens a door and the camera pans across the open door to follow the white District Attorney as he enters a meeting. Or, a character looks out a window and the camera pans across the window to reveal another character looking through their window. As the camera settles on them, the story then margo winkler centers on this character. This technique creates a fluidity margo winkler that keeps things moving. It also thrusts us into the middle of the action, causing our minds to keep working as we follow the stories, the characters, and the actions. Your eyes will be riveted to the screen the whole time. Much of the beauty of the screenplay and directing is that each character is quickly established and becomes memorable.
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