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| locali, how to edit a page, armstrong, arliss howard, pacino, strange news, comedy video, bob, larry charles, funny essays, guy torry, album (music), woody harrelson, robert b. weide, | And Udovitch also wrote: On the simplest level, this is because, unlike many black rappers whose lyrics uigui.com would outrage white America, if white America uigui.com could understand them, Eminem's accent, enunciation, idiom and, to use the term of art, flow are uigui.com clearly intelligible to pundits; to children, if they hear him; to everyone. On a less innocent level, it is because he comes from a world that is not supposed to exist, the world of the white underclass. On a very, very ugly level, it is because a white suburban kid identifying with Eminem is basically, as Eminem is regarded to have done, turning "black," thereby muddying the pools of cultural and racial and class separation… Yo! Now let's hear from Eminem again, from 2002's "White America," with props to 37-year-old Andre Young, the one and only Dr. |
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| During those arliss howard interviews, she mentioned to me the existence of this guy, Eminem, who had also faced lawsuits for speaking his truth. Now I'm listening to Marshall Mathers' song "White America," and remembering Udovitch's published observations in the New York Times Magazine, February 18, 2001. Today, my friend and colleague Udovitch's essay seems prophetic. Udovitch wrote: If you know one single thing about arliss howard Eminem, besides that he is white, it is that he is one of those artists people fear create an evil that will, if allowed free rein, destroy arliss howard civilization and corrupt American youth. Despite his enormous popularity ("The Marshall Mathers LP" has sold eight million copies, and his previous album, "The Slim Shady LP," four million), he is a figure of ill repute, someone whose work is, or at least has been called, worthless, exploitative and offensive. And it is offensive. It is very offensive. It is intentionally offensive, as many great works of art are, and have always been and -- since I like offensive art and basically would like to see popular music provoke the class warfare that the frightened gatekeepers of the 1960's promised me when I was a child, damn it -- I personally hope will continue to be. |
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