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mr.show with bob and david, uigui, bill clinton, pamie, african american, all music guide, generation terrorists, filthy jokes, squishy, iran, foto, shirley henderson, judy davis, denis leary, letras, charlize theron, goldlyrics, frank adonis, bill gates, terrylene, | True England has been reticent to mytholagise her outlaws. Not since the gothic days of the 17th Century highwaymen when poets waxed lyrical about these darkly heroic figures. Or the same era when all outlaws to be hung in Tyburn, London would have their own specially gothic written ballad to accompany the sound of the rope stretching. Penning eulogies to highwaymen, vagabonds, urchins and rogues was a big business – back then. Since the Tyburn Ballads there hasn’t been much though. Save a song by Fairport gothic Convention, a tasteless Ronnie Biggs vocalised post-Lydon Sex Pistols song and a dreadful Phil Collins movie, the Great Train Robbers have rarely been subject to mythologizing. So Rob and his Alabama brothers set about putting that right. Using the initial building block of beats inspired by old Johnny Cash records he laid down the bare bones of “Outlaw” and then let it grow organically. |
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However, where previous outings occasionally found mr.show with bob and david the disparate elements engaged in a stylistic tug of war, this set sounds completely natural. No longer a mr.show with bob and david case of welding together opposites in a perverse game of Push The Parameters, but simply an exercise in common ground. These are sounds that emerged from the (under)ground up. Decades apart perhaps, but from the same unifying tortured soul. The songs of life’s outsiders. The sounds of history’s mr.show with bob and david outlaws. And it’s a great record. Far more extravert than either “La Peste” and “Power in the Blood”, more pure than “Exile on Coldharbour Lane”, “Outlaw” finds the band jumping the trains of sepia tinted American mythology and drawing a direct line to the all too often unsung outlaws of British history. “For me the heart of this record came from a conversation I had with Great Train Robber Bruce Reynolds at a literary festival in Clerkenwell.” Explains Rob “It occurred to me that the US has a tradition of outlaw records but in England we’ve got nothing apart from ‘Robin Hood, Robin Hood riding through the glen’.” |
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