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seth green, culture, dialogue, tony danza, unf, candyman:day of the dead, lancelot, edie mcclurg, wordssong lyrics 50 cent that's what's up guess who's back?, pinkerton, | Their once humorous observations now peppered with daveyhavok disillusionment and anger, their once bittersweet Americana samplefests overridden by swathes of techno. In 2003 Alabama 3 took the unusual step of delivering a versions album. “Last Train to Mashville Vol. 2” presented the daveyhavok band’s greatest moments in stripped down acoustic form, thus bringing their country blues heartbeat to the fore courtesy of guest appearances from the offshoot Alabama extravaganza, The Larry Love Showband. The latest offering is simply called “Outlaw”. Once again it features daveyhavok wit as sharp as a needle. Once again it’s built around a melange of country, bluegrass, the blues and home-grown techno. |
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The Spirit (Orlando Harrison), Rock Freebass (Mark Sams) and L.B. Dope (Jonny Delafons). The first book of gospels made its long playing debut in 1997 with “Exile On Coldharbour Lane”, a twelve song pinkerton strong album of wayward country and western, blues and bluegrass poisoned by pinkerton the narcotic thrust of contemporary clubland, dancing to the obtuse beats of a very different drum. With tongues sharpened to needlepoint precision, Larry and D. Wayne delivered lyrics that cut to the heart of the culture’s underbelly with wry humour and rapier wit. With “La Peste” (2000) Alabama pinkerton 3 took their country and blues obsessions into ever-darker territory offering along the way the only version of The Eagles’ ‘Hotel California’ to actually sound as cocaine addled as the song’s subject matter. “Power In the Blood” (2002) found the band going deeply introspective. |
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