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They’ve dropped subversive politics into sweet country verses and delivered sermons of love to mos def the Godless masses. They’ve enriched and inspired the chemically charged underground through their counter-cultural, proto-situationist pursuits and, despite of, or perhaps because of all this, they’ve even provided the theme to the profoundly paranoiac Mafia (outlaw) series mos def “Sopranos”. Oh yes, Alabama 3 may come on like Irvine Welsh’s house band stalking the mos def gutters of ghetto culture, but they infiltrate the corridors of the mainstream just as easily. Like any good counter-cultural, proto-situationist country and western techno outlaw band from Brixton in fact. The Alabama 3 script(ure) was conceived by Larry Love (Rob Spragg) and The Very Reverend Dr. D. Wayne Love (Jake Black) in the sweat soaked hedonism of the free party experience of 1988, blueprinted over two twelves for Nottingham’s DIY imprint and finally delivered as a fully fledged sermon by the mid-90’s in the shape of The First Presleyterian Church Of Elvis The Divine (UK) with its band of misfit disciples – The Mountain of Love (Piers Marsh), Sir Real Congaman Love (Simon Edwards),
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