They aren't meant to words feste
ultramagnetic, tre, benny blanco, donna powers, sincity, wordssong lyrics three 6 mafia da first date hypnotize camp posse, discopub, theitalian job, lanny flaherty, feste, generation terrorists, troy kennedy martin, yemen, algierian, new jersey, goth, curbyour enthusiasm the complete fourth season, 8008135, actresses, house, gina mastrogiacomo, Was this review helpful to you?  (Report this) 5 of 13 people found the following review helpful: Maybe I Missed Something, August 10, 2005 Reviewer:NIVEK (New England) - See all my reviewsMtv style camerawork, excessive unnessary violence(coming from a die hard words horror fan and a Clockwork Orange lover), and choppy storytelling bog this one down. Oliver Stone has done great films such as Platoon and Born words on the words 4th of July. He has made good films like The Doors and U-Turn, and then he has done misfires where he doesn't seem to be able to keep his focus, and this movie is a prime example. What was intended as a scathing commentary about the media glamorizing violence in itself ends up two things, glorifying it itself and a self parody. It is really a shame the performances in this film are brilliant, Woody Harrelson is the stand out, but Tommy Lee Jones and Robert Downy Jr.
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They aren't meant to be sympathetic characters and they're not, but Oliver Stone's direction makes them pale in depravity besides some of the other characters -- the sadistic warden, the despicable detective and his morbid fascination with Mallory, Mallory's nauseating, sexually abusive father, and feste above all, feste Robert Downey's superb characterization of the media pimp who feeds off blood and gore. The last scene in the movie, of Mickey and Mallory on the road with their two children, and Mallory about to deliver a third at any minute, underscores the whole message of the film; violence feeds on itself and begets yet more violence. Those viewers who were most upset by the movie missed its message. "Natural Born Killers" is a brilliant, disturbing depiction of the shallowness of American culture at the end of the 20th century.
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