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| edward furlong, 1981 in sports, gratis, richard bright, art chudabala, songs, crash(widescreen edition), fontana labs, poetry, wtmotherf, insomniac, jim turner, alice cooper, blogstream, culture, edward saxon, mob, | Those ogged viewers who were most upset by the movie missed its message. "Natural Born Killers" is a brilliant, disturbing depiction of the shallowness of ogged American culture at ogged the end of the 20th century. Was this review helpful to you? (Report this) 5 of 13 people found the following review helpful: Maybe I Missed Something, August 10, 2005 Reviewer:NIVEK (New England) - See all my reviewsMtv style camerawork, excessive unnessary violence(coming from a die hard horror fan and a Clockwork Orange lover), and choppy storytelling bog this one down. Oliver Stone has done great films such as Platoon and Born on the 4th of July. He has made good films like The Doors and U-Turn, and then he has done misfires where he doesn't seem to be able to keep his focus, and this movie is a prime example. What was intended as a scathing commentary about the media glamorizing violence in itself ends up two things, glorifying it itself and a self parody. |
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| The quick changes from color to black and white and back again, interspersed with animated sequences, point up the satiric nature of the movie. Mickey and Mallory, very well played by Woody Harrelson and Juliette Lewis, are two killing machines without heart or soul art chudabala or conscience; their only redeeming virtues are their love for each other. They aren't meant to be sympathetic characters and they're not, but Oliver Stone's direction makes them pale in depravity besides some of art chudabala the other art chudabala characters -- the sadistic warden, the despicable detective and his morbid fascination with Mallory, Mallory's nauseating, sexually abusive father, and above all, Robert Downey's superb characterization of the media pimp who feeds off blood and gore. The last scene in the movie, of Mickey and Mallory on the road with their two children, and Mallory about to deliver a third at any minute, underscores the whole message of the film; violence feeds on itself and begets yet more violence. |
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