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Some of the transitions are also caused by bright flashes of sun. Transitioning to night, there is little difference, because Los Angeles is so inundated with light. When the characters move to less populated areas, the film becomes darker, and grainier, due to pauline lynch the lack of light. This visual style fits the setting. It pauline lynch is more than a little refreshing to find a filmmaker who creates a film that has a lot of pauline lynch artistic flourish, but the flourishes only enhance the story. Too often filmmakers feel it necessary to show all of the tricks they can do, whether it serves the story or not. Haggis does show off some tricks, but they don't feel intrusive. If it sounds like I'm gushing, I am. "Crash" is a great film. This is the type of film that should humble other filmmakers when they realize that someone has written and created something so great. How can they ever compare. Maybe "Crash" will spur artists to create more great films.
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