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| fazed, artists, disco, viagrajokes, wordssong lyrics 50 cent that's what's up feat_ g unit guess who's back?, news, suzanne shepherd, listof films, matt dillon, pauline lynch, humor magazine, televison, sean stone, robert carlyle, evil thatcher, photos, children, judy davis, | As the film switches back and forth, Haggis uses a number of techniques to keep the action fluid. For instance, we might follow the detective during a visit to u his mother's house. As he leaves, he opens a door and the camera pans across the open door to follow the white District Attorney as he enters a meeting. Or, a character looks out a window and the camera pans across the window to reveal another character looking through their window. As the camera settles u on them, the story then centers on this u character. This technique creates a fluidity that keeps things moving. It also thrusts us into the middle of the action, causing our minds to keep working as we follow the stories, the characters, and the actions. |
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| As the film opens, we meet the two men coming out of the restaurant. Their discussion is interesting and a bit funny, but a little theatrical. Soon, we meet another couple. Then these two couples interact. Quickly, we meet a suzanne shepherd third person. Then they interact with one of the previous suzanne shepherd people and we follow the new person to their home and learn a little about their family life. Then we meet a fourth, and quickly, they interact suzanne shepherd with a fifth, and so on. This sort of `round robin' method of story telling may sound a little confusing, but I was never lost and I doubt you will be either. The key is that each character is quickly established as an interesting though maybe disgusting, maybe normal, maybe conflicted person right away. Each person is fused into our subconscious with a few words or actions. |
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