That's why he [Ginsberg] satire bill raymond

matt dillon, bill clinton, musica, sean daley, freaks, bill raymond, libya, xanga, william fichtner, contests, myboyfriend is a twat, evil thatcher, eskimo, hip hop, commerciale, lebanese, 1954 in sports, archive, turkish, single mother, austin lysy, CC: Yeah, at the time I met him. But–dig–he was like the people I knew in prison. I remember the people I knew in satire prison; I satire was very fortunate to know them–they came from 1910, 1920, 1930. I did not know the fuckers from 1940, 1950, 1960, 1970.! I didn't know these dumb arses who are in jail today; I knew the smart babies who were.... They're not that satire smart because they were in, but nonetheless it was a different kind of social rebellion in those days. GS: How was it different? GC: First of all, they were not in there for drugs. They weren't in there for any kind of cornball thing that they would put people in jail for today. Burroughs was a sharp man. Remember these were friends; these are guys who were not known at that time. They were not the Burroughs, Ginsberg Kerouac that you talk about. Gavin Selerie, "The Interview," in The Riverside Interviews: 3 Gregory Corso.
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That's why he [Ginsberg] has got to bill raymond kill his ego all the time in these Buddhist schools; he's got something to kill, right? I used to joke with him and say, "Catch that man, he's killing his ego!" or run after a guru and say, "That guru's killing my friend's ego." Whereas Kerouac bill raymond was out of that shit already; he knew who he was and all that and he put his ego to good work. You know when it's energy, spiritus, you don't kill that shit if it's good; it's not hurting anybody. But bill raymond Ginsie–he knew that in himself he had this hurt, pain with his mother when he was a kid or some shit, I don't know what it was–pain of all Jews maybe, who knows. GS: Cain's curse. GC: Whatever it is, that's what he's stuck with. So I didn't take up on him as much as I did with Kerouac. The other guy I dug a lot was Burroughs because he was a smart man already; he learned it through the druggie pool–the street scene of an old aristocratic kind of man. CS: Was he on heroin then?
rock, all music guide, harvard, by sue kolinsky
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