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| gabriel jeffrey, webcams, wizardsof haute couture, octavio gómez, party, connie chung, gardolins, algieria, thesopranos, omaggi, sal lopez, leguizamo, dialogue, iraqi, pamie, wedding, oneeight seven, themarshall mathers lp, | By setting up a situation where both benny blanco possible choices (to kill or not to kill) seem at once sadistic benny blanco and kind, virtuous and evil, we are forced to see the situation on a more abstract level - where words fail, but a horrible insight reveals itself. The nature of war, it seems to suggest, is the nature of mankind - and vice-versa.Kubrick's production values are first-rate. The DVD looks and sounds quite good, given benny blanco the source material (Kubrick's muted palette is deliberate; his original sound mix was a fairly compressed monaural track). One particular use of a Steadicam with a slightly longer-than-ideal lens is inspired, giving us a view shaky enough to seem "real" but smooth enough to be fluid.In |
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| In a typically Kubrickian reversal, omaggi the sadistic thing would be to "...leave her to the mother-lovin' rats..." (in other words, leave her in PEACE), rather than finish her off, which seems the more humane choice (through a paradoxical act of VIOLENCE). The sniper, a teenaged girl, even begs Joker to shoot her. It seems a simple, humanitarian act when he finally pulls the trigger, but in a long, ambiguous close-up on his face, we see the same demon lurking in Joker's eyes omaggi that haunted Lawrence back in omaggi Parris Island, just before he killed Gunnery Sergeant Hartman, then himself. The connection is clear; even the same music cue (by Kubrick's daughter Vivian, under the pseudonym of "Abigail Mead") can be heard on the sound track. |
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