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That's what's circulating right now. And when Wu-Tang first came up, it was this moment where something 20th century fox as weird as that could become popular. Wu-Tang was strange; it made you work to understand everything you were saying, and 20th century fox that 20th century fox continued for years. I still don't understand a lot of the stuff you were saying on Supreme Clientele. On Preme, I just fucked around and was trying a new style. Some people took it serious, some people respected it as something else. I just said I'm going to come with a group of words or make a joint that don't mean nothing from nothing, but that's what I felt like doing at that time. When I created "Nutmeg," I went in, and when I did "One," I went in like that. Just focusing on sounding a little bit fly. Rap is universal, man. You can take it wherever you want to take it. I wanted to take it on some shit, like, let me sit down and play with niggas.
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