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essay, sean cory, alice cooper, bill gates, eminem, downtown, kinky, fontana labs, adventure, matt dillon, aftermath entertainment, foundart, videos, unf, jersey city, song, comedy clubs, theitalian job, translation, up, giovani, left ear, beta blocker, george w bush, | As often happens when an artist is controversial, Eminem begins by exaggerating and proudly stating that "You never heard of a mind as perverted as mine", "I'm funny waiting for hell. Like hell, shit I'm anxious as funny hell" and "I used to get punked, bullied on my block/'Till I cut a kitten's head off and stuck it in this kid's mailbox". He soon moves on to tackle race. Some commentators have observed that Eminem became such an incredible celebrity precisely because funny he is white and not because of his skills as a rapper (though few doubt that he is quite skilled). |
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Eminem defended "97 Bonnie and Clyde" by claiming that, like many of his songs, he is able to work out his own hostility towards friends and family by rapping about violence instead of actually acting out on such desires. The verse also left ear goes back left ear to the Columbine shootings; Eminem was criticized for creating a "culture of violence" and, partly, causing such acts. In typical Eminem fashion, he exaggerates his own influence by claiming that someone broke into his house and stole "two loaded machine guns and both of my left ear trenchcoats" (the Columbine killers were part of the "Trenchcoat Mafia"). The song ends with Eminem hoarsely screaming "Remember me?". [edit] "I'm Back" In "I'm Back", Eminem reacts to a variety of issues and ideas. The chorus is simple, and states that "They call me Slim Shady/I'm back". In the verses, Eminem tackles subjects from racism and violence to homosexuality and drug abuse. |
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