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| essay, sean cory, alice cooper, bill gates, eminem, downtown, kinky, fontana labs, adventure, matt dillon, aftermath entertainment, foundart, videos, unf, jersey city, song, comedy clubs, theitalian job, translation, up, giovani, left ear, beta blocker, george w bush, | This segues directly into the song, which is one of many on the album about fame photos and being a celebrity. Eminem raps about how and why he became famous. In the chorus, photos Eminem expresses his own doubts and insecurities about his celebrity and his unintentional role model status. "Cause I never knew I, knew I would get this big photos I never knew I, knew I'd affect this kid I never knew I'd, get him to slit his wrist I never knew I'd, get him to hit this bitch The verses discuss in greater detail how Eminem has become famous and why. Perhaps the simplest explanation exists in the first two lines: "I don't do black music, I don't do white music/I make fight music, for high school kids". Disenchanted youth of all racial and ethnic backgrounds connected with the macabre, humorous lyrics in The Slim Shady LP. Much of the song also addresses Eminem's detractors among the media: "Oh - you want me to watch my mouth, how?/Take |
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| The song features a chorus sampled from Thank You by Dido, and came with a very popular music video that was in heavy rotation in its day. song Stan was performed live with Elton John at the 2001 Grammys. A recording of the performance was offered at Eminem's official website, Eminem.com, and later removed and placed onto his greatest hits album, Curtain Call along with the original studio recording. The song is widely viewed as one of Eminem's best, and has been praised for its vivid storytelling and creative way of addressing song the relationship between an song artist and their fans. Dr. Dre has stated that it is his favorite song off the album. [edit] "Who Knew" "Who Knew" is preceded by a brief skit entitled "Paul", which is similar to one on the previous album, The Slim Shady LP. On that album, Eminem's manager leaves a message asking if he could tone down the violence in order to make the album more palatable to record companies. On The Marshall Mathers LP, he calls once again, and begins to make a similar request, only to end suddenly with "Ah, fuck it" and a dial tone. |
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