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party, digitalart, herbie ade, taco bell, movie, sobrante, tony blair, aurora, ed white, gotham comedy club, syrian, tre, billy gallo, italian mafia, open mic, music, Ultimately, as different as the many characters are (racially, morally, socioeconomically), they share a common, human frustration that manifests itself as racism. In this way, the tagline ("You think you know who you gothic pics are. You gothic pics have no idea.") is quite apropos. Packed with star power, the movie is well-acted, well-directed, and well-written. It's also balanced - don't expect to find a "main" character in Sandra Bullock, or anyone else for that matter; everyone pulls their own weight, and the stars aren't there just gothic pics to add name recognition, they contribute to the film. And boredom is not likely to be a problem - as others have described, "Crash" is constant action. I'm tempted to describe it as flawless. I've heard others object to the unrealistic "coincidences" that relate the characters to one another, but if you allow it that one Hollywood stretch of the imagination, you will find a film that is perhaps all too realistic.
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Whereas the former is comprised of tangentially related vignettes pertaining to love, "Crash" weaves together a series of seemingly unrelated stories all about hate. Everyone who sees this movie billy gallo should be able to find something to relate to, should be able to find at least one character to empathize with. More than likely, you will see bits billy gallo of yourself in all the characters - even the ones you despise most. Interestingly, while the film does address billy gallo race relations and does tackle stereotypes and prejudice, in my opinion, it is less about racism and more about understanding. In other words, perhaps our racist tendencies - and, according to the film, we all have them, conscious or not - are simply an expression of our situation, whatever it may be, not an expression of how "good" or "bad" we inherently are.
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