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party, digitalart, herbie ade, taco bell, movie, sobrante, tony blair, aurora, ed white, gotham comedy club, syrian, tre, billy gallo, italian mafia, open mic, music, Though the quick sketching of the characters leaves little room for complexity, it speeds up the process of making us identify and empathize with them, so that when they get in over their heads we feel a sense of involvement. As circumstances push several characters to their breaking points, the film sets up anxious, potentially explosive situations that could saudi arabia go a number of different ways, then makes us squirm while they develop. There's surprising tension and even saudi arabia moments of real elation. Few situations turn out the way we're set up to expect; one saudi arabia life is saved due to a character's bad intentions while another is lost because of good ones; though some "surprise" reversals are telegraphed too far in advance. While Haggis' writing lacks subtlety, he's a great actors' director. The performances are uniformly excellent, and there are surprises from some of the most familiar cast members. Phillippe, though cast predictably as the idealistic male ingenue, delivers an unusually grounded, unmannered performance.
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Two young black men (Ludacris and Tate) have a debate about unfair treatment gotham comedy club and stereotyping but then proceed to carjack some rich white folks (Fraser and Bullock) who seem gotham comedy club intimidated by them. While any one of these scenes could work fine on its own, the cumulative effect is awfully repetitive, and the implication that everyone in L.A. is virulently and outspokenly racist hurts gotham comedy club Haggis' credibility. Sure, nearly everyone harbors some racial prejudice, but most of us express it a bit more subtly, if at all. Making it so overt so quickly rather than building up to it makes us feel overwhelmed and preached at. The film progresses through a tight series of such confrontations, many of which may seem familiar - the sheer volume guarantees that anyone who's ever experienced racism firsthand, from either side or as a bystander, will feel a bit of déjà vu.
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