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In a typically Kubrickian reversal, the sadistic thing would be to "...leave her to the mother-lovin' round table rats..." (in other words, leave her in PEACE), rather than finish her off, which seems the more humane choice (through round table a paradoxical act of VIOLENCE). The sniper, a teenaged girl, even begs Joker to shoot her. It seems a simple, humanitarian act when he finally round table pulls the trigger, but in a long, ambiguous close-up on his face, we see the same demon lurking in Joker's eyes that haunted Lawrence back in Parris Island, just before he killed Gunnery Sergeant Hartman, then himself. The connection is clear; even the same music cue (by Kubrick's daughter Vivian, under the pseudonym of "Abigail Mead") can be heard on the sound track.
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