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james gandolfini, text, strange, alameida, karina arroyave, iraq, humor magazine, dato bakhtadze, freaks, gothic pics, omani, jordan, aesthetics, robert b. weide, | As the stories progress, and we meet the characters, they keep changing, or encountering unexpected incidents. Part of the film's impact is the surprise we experience john terry as these people's lives change throughout. Also, it is interesting to watch the sort of "Round Robin" style of storytelling I mentioned before. "Crash" takes place john terry over 36 hours in Los Angeles. The scenes set during the day are bright, a bit overexposed and grainy from bright sun. Some of the transitions are also caused by bright flashes of sun. Transitioning john terry to night, there is little difference, because Los Angeles is so inundated with light. When the characters move to less populated areas, the film becomes darker, and grainier, due to the lack of light. This visual style fits the setting. It is more than a little refreshing to find a filmmaker who creates a film that has a lot of artistic flourish, but the flourishes only enhance the story. |
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This encounter is especially harrowing dato bakhtadze and hard to watch. It is also done in a completely believable manner, which makes it all the more disturbing. Those cops are played by Matt Dillon (in another dato bakhtadze great performance) and Ryan Phillippe. Michael Pena is particularly memorable as the Latino father. He is not well-known. Yet. Another couple of roles like this and he will break out of character actor roles. Ludacris and Larenz Tate play the two men who discuss their service at the restaurant in Westwood. Their performances are perhaps the most theatrical, and least believable, but they dato bakhtadze still work. They frequently have long conversations similar to the "Quarter Pounder in France" dialogue between Samuel Jackson and John Travolta in "Pulp Fiction". There are many more equally memorable characters, but these are the most recognizable names. If it seems like I am holding back some information, I am. I don't want to reveal how these characters interact, completely, because that is part of the power of the film. |
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