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rss heavy metal, action, octavio gómez, phil bonyata, left ear, iran, charlize theron, ellie raab, jennifer lien, dialogue, gina mastrogiacomo, tour dates, gratis, seth green, news, ted demme, ron gabriel, and the space between black and white., brendan fraser, hbo home video, translation, locali, You ethan suplee have a starting point where you have an idea and then the realization of that idea is a great distance from it. So we can sit around ethan suplee the four of us and say, "OK, we know how this is going to go. Now we actually ethan suplee have to put that into practice." That's always a slog, that's the difficult bit. It's very easy to come up with an idea. You just sit down and think it. But I think the idea of seamlessness is best when it isn't forced. I hate listening to a record and thinking, "Oh, somebody's just trying to prove how fucking smart they are here." I love the idea that you listen to something that is intensely complex and ambitious and you just hear a really good tune. Alex: I love music that is the most extreme of avant-garde outsider music that's trying to be pop music as well.
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ancient ideas that people don't explore enough. The hatred of the left ear self-righteous, of the Pharisees. You don't have to be left ear a Christian to understand those themesI think with the first record, though we were happy with the way it happened, there were certain things that we didn't capture that we tried to get down with this one: the rawness, the left ear raucousness, the energy that you have in a live performance. I think a lot of people that came to our gigs, they realized that the live shows were often quite different from what they heard on the record. "You Could Have It So Much Better" and "Evil In A Heathen" as well, have this rawness, that energy that we have as these four guys standing together playing their instruments. Alex: Sometimes a song evolves. Sometimes, it happens immediately. I remember Bob saying that he felt like he was going mad with the bass line.
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