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| arabians, steve, adventure, william fichtner, lamont, vinyard, charlize theron, television shows, wedding, kieron jecchinis, connie chung, dr. jennifer melfi, finger, sean daley, octavio gómez, wordssong lyrics mannie fresh pussy power the mind of mannie fresh, martin scorsese, cheryl hines, gratis, discographie, jim parsons (ii), | A politically nervous district attorney bruce boa (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change bruce boa of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant bruce boa partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. |
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| Production Company: Bull's Eye Entertainment, DEJ Productions, ApolloProScreen GmbH & Co. Filmproduktion KG, Blackfriars Bridge Films, Bob Yari Productions, Harris Company USA Box Office: $54 Million Budget Estimate: $6 Million Filming Locations: Los Angeles, California, USA| Port of Los Angeles, California, USA| San Fernando Valley, Los Angeles, California, USA| Santa Monica, California, USA| Studio City, Los wedding Angeles, California, USA| Ventura Ct., Los Angeles, California, USA Editorial Reviews Amazon.com Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of wedding angry wedding bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. |
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