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bill raymond, beta blocker, sudan, arabic, girly, carmela soprano, pamie, wordssong lyrics 2pac i'm losin it r u still down? (remember me), donna powers, benny blanco, wordssong lyrics 2pac this life i lead better dayz, whales, goodfellas(two disc special edition), poetry, single parent, george w bush, adrenalin, turkish, iraq, thesopranos, | For instance, we might follow the detective boyfriend during a visit to his mother's house. As he leaves, he opens a door and the camera pans across the open door to follow the white District Attorney as he enters a meeting. Or, a character looks out a window boyfriend and the camera pans across the window to reveal another character looking through their window. As the camera settles on them, the story then centers on this character. This boyfriend technique creates a fluidity that keeps things moving. It also thrusts us into the middle of the action, causing our minds to keep working as we follow the stories, the characters, and the actions. Your eyes will be riveted to the screen the whole time. |
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Their discussion is interesting and a bit funny, but a little theatrical. Soon, we george w bush meet another couple. Then these two couples interact. Quickly, we meet a third george w bush person. Then they interact with one of the previous people and we follow the new person to their home and learn a little about their family life. Then we meet a fourth, and quickly, they interact george w bush with a fifth, and so on. This sort of `round robin' method of story telling may sound a little confusing, but I was never lost and I doubt you will be either. The key is that each character is quickly established as an interesting though maybe disgusting, maybe normal, maybe conflicted person right away. Each person is fused into our subconscious with a few words or actions. As the film switches back and forth, Haggis uses a number of techniques to keep the action fluid. |
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