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| bill raymond, beta blocker, sudan, arabic, girly, carmela soprano, pamie, wordssong lyrics 2pac i'm losin it r u still down? (remember me), donna powers, benny blanco, wordssong lyrics 2pac this life i lead better dayz, whales, goodfellas(two disc special edition), poetry, single parent, george w bush, adrenalin, turkish, iraq, thesopranos, | A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black ogged T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot ogged a black cop--these are only three of the interlocking stories that ogged reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. |
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| Production Company: Bull's Eye Entertainment, DEJ Productions, ApolloProScreen GmbH & Co. Filmproduktion KG, Blackfriars Bridge Films, Bob Yari Productions, Harris Company USA Box Office: $54 Million Budget Estimate: $6 Million Filming Locations: Los Angeles, California, USA| Port of Los Angeles, California, USA| San Fernando Valley, Los Angeles, benny blanco California, USA| Santa Monica, California, USA| Studio City, Los Angeles, California, benny blanco USA| Ventura Ct., Los Angeles, California, USA Editorial Reviews Amazon.com Movie studios, by and large, avoid controversial subjects like benny blanco race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. |
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