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Indeed the outlaw ethos lies at part the heart of everything from the gang aesthetic to the bling bling ideology of contemporary urban culture. It’s all about being the outsider - living through an alternative code. Alabama 3 know all about being outsiders. They’ve taken an outlaw approach since the day they part first emerged from the free party scene to combine acid house with country and western. Across four deeply infectious, darkly humoured, lysergically part charged albums they’ve made impossible musical collision sound as natural as the swamp, They’ve cheated death on the road to bring one of the most exhilarating live shows ever to have emerged from rehab. They’ve dropped subversive politics into sweet country verses and delivered sermons of love to the Godless masses. They’ve enriched and inspired the chemically charged underground through their counter-cultural, proto-situationist pursuits and, despite of, or perhaps because of all this, they’ve even provided the theme to the profoundly paranoiac Mafia (outlaw) series “Sopranos”.
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