Writing, however, is above mr.show with bob and david violet

humor, violet, rap metal, kenneth graymez, autechre, videos, amy ferguson, alice cooper, iran, anything, r. lee ermey, kuwaiti, ime etuk, I want to ask you about that idea generally: Do you agree? Well now that’s a good question. Doesn’t Lydia have a line, “Every step we leave to arrive again to leave mr.show with bob and david again to arrive. Every step.”? My mother used to accuse mr.show with bob and david me, in a friendly way, of never knowing whether I was coming or going. She was right of course. She could have saved a little breath by simply accusing me, in a friendly way, of becoming. Ambiguity. mr.show with bob and david I had an architecture professor once who liked to ask whether architecture was the creation of solid forms, or the creation of the space they encompass. And we could answer Heidegger’s famous question about why is it ‘something’ that exists, rather than ‘nothing,’ by simply saying that it is ‘nothing’ that exists, the ‘something’ being so staggeringly infinitesimal by comparison as to be negligible.
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Writing, however, is above all the art of language, of verbal expression. I've been through page after marvellous page of Virginia Woolf, Marcel Proust (in French! he comes across as a verbose prig in English), Lewis Carroll certainly, Beckett even (sticking to stars of yesteryear), and not a fuck up violet in sight. violet That's an excellent answer. It makes me think the next question should be: There's a lot of conversation in  violet _You, Kwaznievski, You Piss Me Off_, and as you noted above, also a quite a bit of doubt about identity. Characters aren't quite sure who they are, who they were, or who they're becoming. Your stories get a lot of mileage out of ambiguities. I'm not sure if that's the right way of saying it. We're all in a state of becoming, never arriving, might be a more optimistic phrasing.
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