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| jordan, portillo, digitalart, baghadad, smart, amsterdam, s, americanhistory x, reference, crash(widescreen edition), ted demme, joe pesci, musica, jennifer esposito, queer, handsome rob, albums, richard bright, words, banco de gaia, vincent d'onofrio, | I used to joke with him and say, "Catch that man, he's killing his ego!" or run after a guru and say, "That guru's killing my friend's ego." Whereas Kerouac was out of that shit already; he hard rock news knew who he was and all hard rock news that and he put his ego to good work. You know when it's energy, spiritus, you don't kill that shit if it's good; it's not hurting anybody. But Ginsie–he knew that in himself he had this hurt, pain with his mother when he was a kid hard rock news or some shit, I don't know what it was–pain of all Jews maybe, who knows. GS: Cain's curse. GC: Whatever it is, that's what he's stuck with. So I didn't take up on him as much as I did with Kerouac. The other guy I dug a lot was Burroughs because he was a smart man already; he learned it through the druggie pool–the street scene of an old aristocratic kind of man. |
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| Now, twenty years old, I come out and I go back to Greenwich Village. Now, of course, I'm a wealthy man. GS: With the stuff you got from the safe? GC: It's all in my head. Not the money from the safe. No, that's not wealth; that I spent dumb, leaving big tips and crash(widescreen edition) buying zoot suits. Are you kidding? The money was not the game; it was what I learned and that's why I came out rich. Now, who did crash(widescreen edition) I meet right away crash(widescreen edition) with the richness is Allen Ginsberg, William Burroughs, Kerouac, all those fuckers. Because I was one of the rare people around that had the head. GS: Were they famous then or not? GC: No, they only had good heads. They were smart. GS: Who struck you as having most artistic impulse in that group? GC: I would say Kerouac for his sweetness, his gentility; there was no mean streak in him like I would find maybe sometimes in Ginsberg. That's why he [Ginsberg] has got to kill his ego all the time in these Buddhist schools; he's got something to kill, right? |
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