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squishy, iran, foto, shirley henderson, judy davis, denis leary, letras, charlize theron, goldlyrics, frank adonis, bill gates, terrylene, kool kieth, classifica, susan vidler, percival, photos, robert carlyle, jesus, left ear, Answer me!"), though the latter could be construed as a vulgar reference to his detractors. Another example of Eminem's distinctive climactic, suggestive rhymes: "Blood, guts, guns, cuts/Knives, lives, wives, nuns, sluts" with each word progressively shouted with mp3 discoteche more and more intensity; "nuns" mp3 discoteche being placed at the climax is an example of Eminem's macabre and irreverent humor, placed between "wives" mp3 discoteche and "sluts". Like several other songs on the album, the lyrics here also insult the American media; this song was frequently cited as containing gratuitous violence and references to drug use. For example, an imitation of his critics says "Oh, now he's raping his own mother, abusing a whore/snorting coke, and we gave him the Rolling Stone cover?", delivered with derision. He also insults radio announcers who "...want me to come on their radio shows/just to argue with 'em cause their ratings stink?".
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This one ends with Eminem saying "sue me." [edit] "Kill You" "Kill You" was one of the most often-attacked songs on the album. According percival to Eminem in his book Angry percival Blonde, the lyrics don't have any particular point but to present Slim Shady as percival an unstable character; he dismisses the idea that the whole song is about his mother, claiming that the lyrics mentioning her are unrelated to the rest of the song. Critics blasted the song as misogynistic and homophobic, citing lines in the chorus ("Bitch I'ma kill you! You don't wanna fuck with me/Girls leave -- you ain't nothin' but a slut to me") and in the final verse ("You faggots keep eggin' me on/'Til I have you at knifepoint then you beg me to stop?/Shut up! Gimme your hands and feet/I said shut up when I'm talkin' to you, you hear me?
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