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| reference, crash(widescreen edition), ted demme, joe pesci, musica, jennifer esposito, queer, handsome rob, albums, richard bright, words, banco de gaia, vincent d'onofrio, overheardnew york, denver underground music, | These days, it seems like music is less willing to be confusing and rap is more willing to spoon-feed. It makes me wonder if something like Wu-Tang came out now, if sean cory it would have the opportunity to blow. I don't know. We would all have to be in sync with each other. I know that niggas still do it. But at the same time, you've got sean cory to be more or less in the streets to see what's going on. Young niggas coming up, they know all that. You gotta be in touch with niggas that are out there. My Theodore niggas, they out there when I don't really have a chance to be out there. So they bring whatever's in the streets back to me, and that's how I stay alive. I'm not on the block selling that crack. I'm trying to beat the odds. |
Best Mature Paysites
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| I just said I'm going to come with a group of words or make a joint that don't mean nothing from nothing, but that's what I felt like albums doing at that time. When I created "Nutmeg," I went in, and when I did "One," I went in like that. albums Just focusing on sounding a little bit fly. Rap is universal, man. You can take it wherever you want to take it. I wanted to take it albums on some shit, like, let me sit down and play with niggas. On some of that whatever shit. It was new. It was new to me too. A bunch of words, shit that nobody has ever said before; you don't even have to understand it. It confused a lot of motherfuckers. Some motherfuckers like it. But it's all good at the end of the day; it's still dope. |
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