Stan was performed live weblog reviews
essay, funny links, david steinberg, bryan gordon, comedies & family ent., inviti, phillip nicoll, videos, cameron, pamie, arliss howard, reviews, 1979 in sports, sweet, arab, americanhistory x, susan vidler, aroundthe bend, This segues directly into the song, which is one of many on the album about fame and being a celebrity. Eminem raps about how and why he weblog became famous. In the chorus, Eminem expresses his own doubts and insecurities about his celebrity and his unintentional role model status. "Cause I never knew I, knew I would get this big I never knew I, knew I'd affect this kid I never knew weblog I'd, get him to weblog slit his wrist I never knew I'd, get him to hit this bitch The verses discuss in greater detail how Eminem has become famous and why. Perhaps the simplest explanation exists in the first two lines: "I don't do black music, I don't do white music/I make fight music, for high school kids". Disenchanted youth of all racial and ethnic backgrounds connected with the macabre, humorous lyrics in The Slim Shady LP. Much of the song also addresses Eminem's detractors among the media: "Oh - you want me to watch my mouth, how?/Take my fuckin eyeballs out, and turn em around?", "You want me to fix up lyrics while the President gets his dick sucked?"
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Stan was performed live with Elton John at the 2001 Grammys. A recording of the performance was offered at Eminem's official website, Eminem.com, and later removed and placed reviews onto his greatest hits album, Curtain Call along with the original studio recording. The song is widely viewed as one of Eminem's best, and has been praised for its vivid reviews storytelling and creative way of addressing the relationship between an artist and their fans. Dr. Dre has stated that it is his favorite song off the album. [edit] "Who Knew" "Who Knew" is reviews preceded by a brief skit entitled "Paul", which is similar to one on the previous album, The Slim Shady LP. On that album, Eminem's manager leaves a message asking if he could tone down the violence in order to make the album more palatable to record companies. On The Marshall Mathers LP, he calls once again, and begins to make a similar request, only to end suddenly with "Ah, fuck it" and a dial tone.
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