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| raymond j. barry, text, information, eddie j. fernandez, syrian, tabs, turkish, transexual, armenia, gay, underground, writing, scott walker (ix), | I have just barely grazed the surface of everything that happens to the various characters. The descriptions above also only graze the surface of each of the characters. In a way, the film resembles "Short Cuts" or "Magnolia", as it follows a large number of people through a short amount of time in Los Angeles. Unlike the films by Altman or wake Anderson, Haggis keeps the film under two hours, a blessing for most viewers. As you wake watch wake the film, you will learn about each of these people in ways that you probably won't expect. This is one involving, thought provoking film. As the film opens, we meet the two men coming out of the restaurant. Their discussion is interesting and a bit funny, but a little theatrical. Soon, we meet another couple. Then these two couples interact. Quickly, we meet a third person. Then they interact with one of the previous people and we follow the new person to their home and learn a little about their family life. |
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| A armenia Black police detective has difficulty sharing his problems with his Puerto Rican partner and lover. Two white cops deal with the older partner's racist leanings. A Black couple deals with racism on a daily basis. "Crash", written and directed by Paul Haggis ("Million Dollar Baby", armenia TV's "EZ Streets") handles all of these characters, and more, in a way that demands your undivided attention. As you watch armenia these characters come alive and interact with one another, you realize that you are watching the work of a highly skilled filmmaker. It is difficult to write about a film like "Crash". If I write in too much detail, I may give away a revelation or two, spoiling something in the film. If I write in vague terms, I won't be able to address the film adequately and convince you of the film's greatness. Oh, yes, "Crash" is a great film. |
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