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dr. jennifer melfi, dialogue, woody harrelson, denis leary, nona gaye, libya, omani, stacey, party, boobies, tony danza, larry david, camelot, gabe jeffrey, berber, chuck low, industrial, squishy, robert smith, lebanon, iraqi, K: We're back after one of our periodic multi-month absences from Diner Dogma to drive out our winter doldrums and enjoy periodic torrential downpours. margo winkler We're sitting in the noisy and margo winkler crowded Washington Square Diner, my favorite haunt, and really the only remaining diner in this part of Greenwich margo winkler Village. Given the recent near extinction of diners in the vicinity, perhaps it's an appropriate time to discuss what I like to call "The Window of Ugliness." This is my pet theory which supposes that the ugliness of certain human artifacts is entirely temporary, and that everything that seems ugly today will wind up looking beautiful in the future, will actually enter into a kind of Valhalla of beauty, an everlasting eternal beauty. Say something. L: (laughs) So we started to have this conversation this morning and it came up in the context of architecture first, but I can see how it definitely carries over into other areas.
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I claw at my skin, tear at my hair, start biting myself. I don't have any teeth and I'm biting myself and there are shadows and bright lights and flashes and screams and boobies bugs bugs bugs. I am lost. I am completely fucking lost. I scream. boobies I piss on myself. boobies I shit my pants. The Nurse returns and she calls for help and Men in White come in and they put me on the bed and they hold me there. I try to kill the bugs but I can't move so they live. In me. On me. I feel the stethoscope and the gauge and they stick a needle in my arm and they hold me down. I am blinded by blackness. I am gone. Copyright © 2002 by James Frey Back to Top Terms of Use, Copyright, and Privacy Policy© 1997-2006 Barnesandnoble.com llc Home  Diner Dogma 6: The Window of Ugliness Note: This Diner Dogma was recorded in the winter of 2004, but wasn't transcribed until January 2005 due to the indolence of the ArtLexis staff.
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