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| gay, underground, writing, scott walker (ix), donal sutherland, welker white, danny boyle, sudanese, riyad, wikipedia, funny, trailers, wallpapers, pictures, fazed, artists, disco, | Next, note the awesomely tacky yet funky conga sounds later in the song. Have the courage to admit that lo-fo fi Casio beats have a special place in your heart. (2) The vocal rhythms. The initial female vocal really slides greenday into the third beat: I drive these brothers craaa-zy/I do it on the greenday daaayy-ly. Then the later rap shows up to further destabilize things: I met a girl down at the disco. Dr Dre this isn't. (3) The cheesy sounds. For instance, the synthy drone behind the greenday great ominous she's got me spennnd-in. It's like if Kraftwerk got the funk. The line itself is so straight and plodding, which fits both the sound and the lyric: he's the dimwitted foil to his more sly would-be lover. And once you get my hump my hump my hump in your head, you're done. There's no escape. Verdict: sly but funky. At least a B+ pop song. Update: baa gets it complete wrong. |
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| You don't need a weatherman to know which way the wind blows. Via World O'Crap, where SZ has some fine alternate lyrics. **Update: Maggie Pascal shows up in the comments and says that Perloff is misquoting her. Go to Main Page | Link pictures | Comments (80) | TrackBack (0) Wiretapping For Fun And Profit Posted by Alameidaon 02.27.06 Am I a bad person because every time I get on the phone pictures with someone in the US I pictures start saying "osama osama osama jihad jihad" and stuff like "operation destroy Cleveland is a go. Repeat, a go!" My dad just about shit, because he's already paranoid. I guess I won't be laughing when I'm being held incommunicado in a Navy brig on Diego Garcia. Go to Main Page | Link | Comments (54) | TrackBack (0) Reflections on "My Humps" Posted by Fontana Labson 02.27.06 Here are some things to love about this song: (1) The beats. First, check out the intro, with its shades of Tone Loc. The syncopated breath sounds emphasize the third beat of the measure, as will some of the later vocal rhythms. |
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