To understand what and rebhorn girly
gothic, beverly d'angelo, adam baldwin, middleeast, actors, larry charles, tamazight, green, dato bakhtadze, movies, adam lefevre, girly, blog novel, personals, jennifer esposito, The key to this apparent gaffe in story cohesion is contained in a scene where Joker is confronted by a Major over having "Born to Kill" scrawled on his helmet at the same time he wears a peace symbol on his flak jacket."I was trying to say something about the duality of man," he says, "...the Jungian rebhorn thing, SIR!"Duality of man; duality of film. There are (in the film's developing thesis) two possible motivations for killing people and rebhorn breaking things - compassion (to defend freedom and turn rebhorn back despotism; our OFFICIAL purpose in Viet Nam), and annihilation (the perverse joy of revenge, of domination; of blood-soaked victory).Which motivation is more "moral"? Which leads to the "high-ground"? Doesn't annihilation always entail moral decay? And doesn't compassion always lead, ultimately, to peace, rather than violence? Through Joker's journey, from killer-in-training to killer-in-fact, we get a disturbing answer that, by its very simplicity, defies the kind of dumbed-down platitudes most war films (even really good ones like Kubrick's own Paths of Glory) try to feed us.
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To understand what and how, one must consider the film's structure:Full Metal Jacket is girly split brutally into two parts, the first of which follows our hero, Private Joker (Matthew Modine) through basic training at Parris Island. A tubby, slow-witted misfit named Leonard Lawrence (Vincent D'Onofrio in an effective performance) is pushed too hard by the sadistic drill instructor Hartmann girly (R. Lee Ermey), and ends up killing both Hartman and himself in the Grand Guignol blackout sketch that ends part one.It is at this point that many people have trouble girly with Full Metal Jacket, as the second half jumps to Viet Nam with no warning. Although Joker and another character named Cowboy (Arliss Howard) carry over from the first part of the film, they never so much as talk about Parris Island or the murder-suicide that marked their training there. It is as though that event happened in another universe, or at least a different movie.
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