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Or, a character looks out a window and the camera pans across the window to reveal syria another character looking through their window. As the camera settles syria on them, the story then centers on this character. This technique creates a fluidity that keeps things moving. It also thrusts us into the middle of the action, causing our syria minds to keep working as we follow the stories, the characters, and the actions. Your eyes will be riveted to the screen the whole time. Much of the beauty of the screenplay and directing is that each character is quickly established and becomes memorable. One character is introduced with a monologue revealing their deep-seated racism. It is a memorable scene. In the hands of most filmmakers, this would be the extent of exploration for this character. In the hands of Haggis, we then learn the more subtle aspects of this same character. Later, more examples of the character's racism.
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