and yet AIDS was lebanon poem

sal lopez, leguizamo, dialogue, iraqi, pamie, wedding, oneeight seven, themarshall mathers lp, magazines, funny, mp3 discoteche, poem, ian holm, audio, confession, gabriels, teen, news, edward saxon, Racism is everywhere, we're all racists, even blacks can be lebanon racists, yada yada yada. Got it. That was more or less my response. We get a fairly ordinary reiteration lebanon of familiar themes capped with some moments that strain credulity, e.g., "surprise, it's the very same cop!" and "a black hitchhiker from the hood somehow forgets that a middle-class white guy might see his cryptic behavior as threatening." The latter moment really bothered lebanon me because the film, at other times, comes down heavy on the idea that these divisions are so deeply ingrained that they can't be set aside easily, if at all; they inform who we are at such a deep level that the hitchhiker's mistake is unbelievable-- as if it were needed to set up a climactic moment, say. Also, the Persian dude totally needed to get all cheese-grater on his enemy.
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and yet AIDS poem was unknown; and there is no substantial group of working biologists that agrees with Duesberg. So the article (sorry, it's not online) is nonsense, and pernicious nonsense -- it discourages HIV testing, precautions against the spread of HIV, and treatment for infected people. Why is Harpers publishing it? Is there something I don't know (very possible, always), that makes poem this a subject of reasonable disagreement? Or has whoever decided poem to publish this simply lost their mind? (Also blogged here, in the Notion, the Nation's new blog. It's not bad -- a little dry, but professional blogs tend to be.) Go to Main Page | Link | Comments (129) | TrackBack (0)     Crash Posted by Fontana Labson 03.02.06 Drum has a note about "Crash" in which he partly endorses this criticism: Of the five nominees for Best Picture, my favorite is Crash. A friend of mine thinks this is crazy, because (and I'm paraphrasing here), Crash is one of those irritatingly pseudo-profound movies that thinks it's saying something deep and thoughful when in reality it's just saying something banal and clichéd.
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