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| jordan, left ear, monkey sex, andy argyrakis, italian mafia, aroundthe bend, wordssong lyrics ja rule i'll f___ u girl (skit) unknown, pop, tony danza, tabs, week, kinky, 2000, confess, images, 1976, lyle, salt lake city, comedy video, herbie ade, wordssong lyrics mannie fresh pussy power the mind of mannie fresh, ringtones, | Your stories get a lot of media mileage out of ambiguities. I'm media not sure if that's the right way of saying it. We're all in a state of becoming, never arriving, might be a more optimistic phrasing. I want to ask you about that idea generally: Do you agree? Well now that’s a good question. Doesn’t Lydia have a line, “Every step we leave to arrive again to leave again to arrive. Every step.”? My mother media used to accuse me, in a friendly way, of never knowing whether I was coming or going. She was right of course. She could have saved a little breath by simply accusing me, in a friendly way, of becoming. Ambiguity. I had an architecture professor once who liked to ask whether architecture was the creation of solid forms, or the creation of the space they encompass. |
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| It is true that PF's line "people fuck up, they always will, and I take my cut," might salt lake city be taken to fairly well sum up the book. It would help, though, if we had a clear idea of what fucking-up means. Drama, on the other hand, results when human beings come in contact, whether they fuck up or not, although fucking up can speed the process and simplify things salt lake city for the story-maker. Writing, however, is above all the art of language, of verbal expression. I've been through page after marvellous page of Virginia Woolf, Marcel Proust salt lake city (in French! he comes across as a verbose prig in English), Lewis Carroll certainly, Beckett even (sticking to stars of yesteryear), and not a fuck up in sight. That's an excellent answer. It makes me think the next question should be: There's a lot of conversation in _You, Kwaznievski, You Piss Me Off_, and as you noted above, also a quite a bit of doubt about identity. Characters aren't quite sure who they are, who they were, or who they're becoming. |
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