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| james gandolfini, morocco, blog, wordssong lyrics ja rule i'll f___ u girl (skit) unknown, insomniac, ha, web dafesign, egyptian, tony danza, punchthem, loser, jennifer esposito, naturalborn killers, papillon soo, keith david, 1977 in sports, skins, eat, alcohol, sincity, john terry, | Your eyes will be riveted to the screen the whole time. Much of the beauty of the screenplay and directing is that each character is quickly established unfogged and becomes memorable. One character is introduced with a monologue revealing their deep-seated unfogged racism. It is a memorable scene. In the hands of most filmmakers, this would be the extent of exploration for this character. In the hands of Haggis, we then learn the more subtle aspects of this same character. Later, more examples of the character's racism. Then more about unfogged the same person's life. This leads to a very complete portrait of this person. Imagine the same level of detail applied to the other ten or eleven characters and you begin to get a feeling of the complexity of "Crash". It would be difficult to classify any of the actors as the "star" of the film. It is a true ensemble piece. |
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| The key is that each character is quickly established as an interesting though maybe disgusting, maybe normal, maybe conflicted person right away. Each person is fused into our subconscious with a few words punchthem or actions. As the film switches back and forth, Haggis uses a number of techniques to keep the action fluid. For instance, we might follow the detective during a visit to his mother's house. As he leaves, he opens a door and the camera pans across the open door to follow the white District Attorney as he enters a punchthem meeting. Or, a character looks punchthem out a window and the camera pans across the window to reveal another character looking through their window. As the camera settles on them, the story then centers on this character. This technique creates a fluidity that keeps things moving. It also thrusts us into the middle of the action, causing our minds to keep working as we follow the stories, the characters, and the actions. |
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