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| dialogue, prince charles, matthew modine, cannibal, discopub, party, digitalart, herbie ade, taco bell, movie, sobrante, tony blair, | · Managing Editor: This person is a maury povitch frazzled maniac. He will not return your calls because he's really, really busy. Besides, he's busy handling the stuff you don't care about: scheduling, budget, liaising with the art department, consoling emotionally distraught staffers. Plus, he's super maury povitch busy. · Features Editor: This person is too high up to talk to you, so don't bother pitching him. If you do pitch him, he'll probably reply via Blackberry while the publicist he's lunching with goes to the bathroom for the fourth time that hour. He might actually like your idea, but more often than not, he will forget you pitched it and won't assign it. |
Best Mature Paysites
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| 2. Understanding the Masthead If you're movie gonna work—or freelance—in magazines, you better know who you're dealing with. This can be a challenge since magazine job movie titles are as convoluted and complex as those you might encounter in the House of Lords. Clip and save this skeleton key: · Editor-in-Chief: This person is in charge. And she's too busy to talk with you. In fact, she's movie probably in Milan right now. And she doesn't check her email. Her assistant prints out her email for her and she always leaves the printouts in the back of her Town Car. Also, she hasn't read the magazine in years. Leave the editor-in-chief alone. (But, when talking about your work with friends, always refer to her by first name: see "Bragging Rights," below.) |
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